The Elephant Man – 1980
Director – David Lynch
Starring – John Hurt, Anthony Hopkins and Anne Bancroft
Slow, cruel, and beautifully filmed. These are the main adjectives I would use to describe David Lynch’s, The Elephant Man. Set during the Victorian era in London, The Elephant Man tells the real life story of John Merrick, a seriously deformed man led from one freak show to another. Anthony Hopkins stars as Frederick Treves, a doctor who takes it upon himself to rescue Mr. Merrick from the actual freakshow that he is performing in, puts him up in his hospital, and attempts to teach him civilized behavior. Treves parades Merrick around, using his notoriety to advance his own reputation, all the while claiming to help him.
When word gets around that the “Elephant Man” (called this partially due to his appearance, and partially because his mother was mauled to death by an elephant) has gained a certain popularity with the upper crust, the owner of the freakshow (Bytes) comes back to collect his “treasure”. Treves and Bytes play a game of tug-of-war with Merrick, neither considering him or his feelings in the least. In terms of characters, Merrick himself played with a certain amount of humanity and grace by John Hurt, is the only character who really has any redeeming characteristics. Despite his huge prosthetic make-up appliances, Hurt manages to imbue Merrick with a certain subtlety.
On the brightside, the film looked beautiful. Shot in silky black and white, each characters shadowy nature plays itself out visually on the backdrop of dreary, foggy London. Each of the set pieces is crawls with life, some of it unsettling and horrible, and some of it approaching dignity. As the movie goes on, the mood, as well as the visual tone of the film grows subtly and slowly brighter.
Of the Lynch films that I’ve seen so far, I would have to say that this is smack in the middle. It doesn’t reach the fantastic weird heights of films like Mulholland Drive, or Blue Velvet, but it doesn’t quite fall to the un-intelligable depths of Lost Highway, or Inland Empire. If you’ve seen any of David Lynch’s other films, you will see some similarities but he clearly grew and matured since finishing this film. Despite, or perhaps because of this, The Elephant Man was one of his more critically successful films and has since allowed him to go on and become a unique independant voice, if only for that reason, this film deserves it’s place on the list of 1001 Movies You Should See Before You Die.