I’ve Seen It, and Now So Has She…

So in the ongoing process of reviewing the movies I had already seen when starting this, here are 25 more films from different years, genres, and nationalities.  Thanks to her going nuts on our movie collection in an attempt to catch up, all of these films were simultaneously reviewed by my lovely wife, Ashley, as well as by me.  Enjoy!

The Man Who Knew Too Much (1956)

Though not as phenomenal as some of his work, The Man Who Knew Too Much, is one of the really good Hitchcock films.  Jimmy Stewart is always pretty likable, but it’s Doris Day who really steals the show for me.  The one thing that the original has over this remake is the ever-wonderful Peter Lorre.  I could watch that guy eat breakfast!

“Don’t F with Doris Day or she will sing you a song!” – Ashley

The Great Escape (1963)

Partly remembered for it’s fun story, and partly because of Steve McQueen, The Great Escape is also worthy of remembrance for being one of the last (as far as I could find anyway) really great, ensemble films.  The list of famous actors that make an appearance here is a pretty astounding one.  Everyone from the CEO of Jurassic Park, to Flint of “In Like Flint”, to the vigilante from “Death Wish”, and plenty more, make an appearance in this film.  Oh, and the story is pretty good too.

“This movie might be set in a prisoner of war camp, but I would liken it to the con or heist movie genres, so it was actually quite enjoyable.” – Ashley

La Battaglia Di Algeri (AKA: The Battle of Algiers) (1965)

The gritty and raw style of this film owes much to the cinema vérité camera work, and black and white film stock, which served to mimic news reel, or documentary style footage.  The cast of actors, or non-actors as they were, was chosen for their look, and the emotional heft they brought the subject matter, with the only “real” actor playing the leader of the French military force tasked with quieting the then French colony, Colonel Mathieu.  As a testament to its message, the film was banned in France for a number of years, before being re-edited and released later on.  As powerful and prescient today as it was when it was filmed, it speaks to our current situation with the Iraq and Afghanistan wars, and the nature, and victims of terrorism.

“It’s a war movie!” (said with fake excitement) – Ashley

C’era Una Volta Il West  AKA Once Upon a Time in the West (1968)

Gorgeous!  This film is so lush, and beautiful that when I first saw it, it took my breath away.  Though I do love the Man With No Name trilogy, this film, in my humble opinion, is  absolutely Sergio Leone’s masterpiece!  Henry Fonda, Jason Robards, and god help us all Claudia Cardinale.  If you haven’t seen this film, you are doing yourself a grand disservice!

“One of the best movies this list has introduced me to!” – Ashley

Midnight Cowboy (1969)

I saw this film around two decades ago, and I liked it a lot.  I was amazed at how much I liked it really, but it wasn’t until I watched it recently with my wife for her first time, that I was blown away.  Dustin Hoffman is so, so very good, and unfortunately for him, John Voight was so incredible that he still hasn’t yet managed to attain such heights again.  Fred Neil’s “Everybody Talkin'” performed by Harry Nilsson, is such a perfect song to capture the wonder, and spontaneity of New York city, as well as the despair and fear that come when good fortune you’re riding flips upside down and smothers you instead.  One of the most beautiful films I’ve ever seen.

“Two hustlers find love.” – Ashley

Serpico (1973)

Though I’ve seen Serpico, I never fell in love with Serpico.  It’s a good film, that I, more than likely, should give another chance.  Known as one of the big tent poles of 1970s cinema, this film went a long way in defining the social, and political unrest of the urbanites of the time.

“Al Pacino grows a beard and takes down some corrupt cops.” – Ashley

Jaws (1975)

The godfather of the summer blockbuster is also an incredibly effective horror and suspense film.  This film comes from the young and hungry Steven Spielberg that helped make a lot of the movies that I grew up on, not the tired schmaltzy Spielberg that ruins every movie he makes now in the last 30 minutes (Don’t believe me?  Take, A.I., War of the Worlds, Minority Report, Saving Private Ryan, and Jurassic Park 2: The Lost World, and the all terrible Catch Me If You Can, The Terminal, The Adventures of Tin-Tin, and Indiana Jones and The Kingdom of the Crystal Skull.).  So basically, Jaws was good.

“The push-zoom in it is great, other then that, meh.” – Ashley

Network (1976)

Though Network has some pretty interesting things to say about the nature of television and the nature of fame and martyrdom, and is definitely considered to be another one of those “important” movies from the seventies, I didn’t like the film really at all.  I found all the characters to be pretty repellent  people, and not in the least compelling on any other level.

“I hated every character in this movie.” – Ashley

Airplane! (1980)

The absolute funniest movie that I had ever seen when I was ten years old, it turns out is best marketed towards the young and those who are young in the head.  It didn’t manage to hold onto its title when I recently re-watched it, but it was still really fun to watch.  Leslie Nielson easily steals the show with his trademark deadpan delivery, and square-jawed good looks.  I will always love it for the joy it brought me in my youth.

“Better then the parody movies done today but still not my favorite kind of comedy.” – Ashley

The King of Comedy (1983)

Robert De Niro’s selfish, celebrity-obsessed, Travis Bickle is in love with the idea of fame, so much so that fixates on it.  It is all he sees and all he desires.  At times, tense, at others comic, the film goes a fair way towards predicting the phenomenon of instant fame that shows like American Idol, and YouTube have come to inspire. “The King of Comedy”, just may be one of Scorsese’s lighter works, but one of Martin’s lesser works is often times better than someone else’s best.

“Robert De Niro being creepy.” – Ashley

The Terminator (1984)

I was raised on this film.  I have probably seen it upwards of 100 times.  It is incredible.

“Arnold Schwarzenegger is bad.” – Ashley

Beverly Hills Cop (1984)

This little flick is a fossil of another time, a time when the name Eddie Murphy meant you were going to see something that was actually funny.  Not solely for children, no fat suits or unnecessary makeup, but an actual, honest to God funny movie.  Murphy made a fair amount of them in his heyday, my only guess is that he just ran out of funny stuff to say, and now is only capable of making crap.  Too bad.

“Oh, I didn’t know Eddie Murphy use to be funny!” – Ashley

‘A’ Gai Waak Juk Jaap (AKA: Project A, Part II) (1987)

I went through a big Hong Kong cinema phase in the mid to late 90s.  Films like A Better Tomorrow, My Lucky Stars, Full Contact, and Hardboiled filled my movie collection.  Some of my favorites were the films of Jackie Chan, including the Project A films.  Packed with action, impossible stunts, and lots of slapstick humor, these films are intensely rewarding, and loads of fun.  Though I like Project A, Part II a lot, I wouldn’t put it as my favorite of Chan’s films, that honor would go to the absolutely insane Drunken Master II.  The last half an hour of that film was just about the craziest thing I’d ever seen in my life.

“Jackie is a god.” – Ashley

A Fish Called Wanda (1988)

Another film that I suppose I should devote another viewing to.  Most people seem to love, A Fish Called Wanda, however I thought it wasn’t all that good.  Since it was written by John Cleese, I should by all rights love it, so I can only assume that I saw it at too young an age.

“A raunchy comedy from the 80’s that is actually still funny for a first time view.”      – Ashley

The Naked Gun (1988)

Another of my favorite films from when I was 10 years old.  Leslie Nielsen rode the slapstick gravy train for many years, culminating in The Naked Gun.  Though the films sequels turn out to be rather hokey and one-note, the original film still stands out as one of the best examples of this type of comedy.

“Not bad but just not my kind of comedy.” – Ashley

Die Hard (1988)

As an only child, I spent a lot of time watching movies.  Every Friday night I would have my Mom drive me to the local video emporium, where I would pick up the newest action movies, along with the grossest or most obscure comedies and horror films.  I remember renting Die Hard when if first came out of Video.  I put the VHS tape into the VCR, sat back and spent the next two hours and twelve minutes getting my mind blown!  Easily one of the best action movies ever, and the best Christmas movie by a long shot.  Absolutely deserves to be on this list.

“My husband looks like Bruce Willis, so I’m allowed say how much I like how little his shirt is on in this movie, right?” – Ashley

Total Recall (1990)

Far and away the best film that either Arnold Schwarzenegger or Paul Verhoeven ever had anything to do with, and both men made some goddamned awesome films!  Groundbreaking visual effects, a truly compelling science fiction story, and action for days.  I was lucky enough to see this film in the theater, where at the tender age of eleven, I fell in love.

“Amazing special effects makeup. I wish they still did makeup this way.” – Ashley

Terminator 2: Judgment Day  (1991)

Not as impacting to me as the original, but this was yet another fantastic film.  James Cameron at the peak of his career thus far (yes I am including the disappointing Avatar).

“Arnold Schwarzenegger is good.” – Ashley

JFK (1991)

As a devout fan of film, I have a constantly shifting set of films that revolve in and out as my favorites of all time.  Reed’s The Third Man,  Kurosawa’s High & Low, Melville’s Le Cercle Rouge, and of course Oliver Stone’s JFK.  This labyrinth of a film traces the known facts right along side the potential possibilities, watching the two dance with one another, seeing what happens.  Some of my favorite cinematography ever committed to celluloid juxtaposes the black and white of the accepted reality of the Warren Commission with as many points of view as there were watching that day on the grassy knoll.  Black and white, high and low, right and wrong, fact and fiction.  All blend together in this film, tied by the exceptional cast, character actors and famous faces alike.  The best you’ve ever seen Joe Pesci, Tommy Lee Jones, Kevin Bacon, and Michael Rooker in any film.  This is one of those films that no matter what time it is, if I find it starting on TV, I will watch it all the way through.  I think I’ll go watch it right now.

“Was there anyone who didn’t want to kill Kennedy?” – Ashley

C’Est Arrive Pres De Chez Vous (AKA: Man Bites Dog) (1992)

This mockumentary about a vicious serial killer being followed by a documentary film crew attempts to find the line between documentation and complicity.  A dark film with some very subtle comic undertones, Man Bites Dog is more uncomfortable than it is successful.  It felt about 45 minutes too long, which would have shortened the film by about half.  Interesting, but ultimately not really very good.

“Oh this was suppose to be a comedy?” – Ashley

The Crying Game (1992)

It’s been a while since I’ve seen this film, so my only real memory of it is that I managed to see it twice in one weekend, once with each of my parents who didn’t know what it was about…awkward.

“Despite knowing the spoiler twist for a couple decades now I found this a really interesting look at the fluidity of human sexuality.” – Ashley

Dead Man (1995)

Long, slow, and still.  Three things that describe the films of Jim Jarmusch.  Dead Man is all of those things, and it was great.  Not a film for every occasion, nor is it for everyone, but if you appreciate thoughtful introspective and occasionally spiritual films, this one may pique your interest.

“So fucking boring!” – Ashley

Fargo (1996)

Of all the Coen Brothers films to put on this list, both this film, and Raising Arizona are two of their most average.  They are certainly good films, not nearly as reprehensible as Burn After Reading, Intolerable Cruelty, or The Ladykillers, but also not even close to as good as Miller’s Crossing (my personal favorite Coen Brothers film), The Big Lebowski, or Barton Fink.  That being said, Fargo did open up the Coen Brothers’ sensibilities to a whole new crowd of viewers and introduced the masses to William H. Macy, and Peter Stormare, so in that respect, it was a good choice.  Otherwise, a real missed opportunity for this list of “best movies”.

“I love that the lead is a smart strong women. Really great movie too.” – Ashley

The Passion of the Christ (2004)

Awful, over-hyped, manipulative, horror-porn along the likes of Hostel, and Hostel 2.

“Yeah, yeah we get it Jesus got his ass beat.” – Ashley

The Aviator (2004)

Even genius doesn’t shine all the time.  Yet another movie where the mega-talented Scorsese teams with the mega-mediocre DiCaprio, and turns in underwhelming results.  One of the greatest living cinematographers in the world said it best, describing The Aviator as a “handjob” for Hollywood, and while I don’t think it’s quite that, he certainly spends the entirety of this film writing an elaborate love letter.  Cate Blanchett was really wonderful as Kate Hepburn, if only DiCaprio could do some acting that isn’t just his usual approach of squinting and leaning forward into the camera.

“Leonardo is actually tolerable in this movie. Though he still can’t do an accent worth a shit.” – Ashley

So, there you have it.  Another 25 in the bag.  See you next time!

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Who will survive…and what will be left of them?

So it’s my favorite time of the year…Halloween. So why not indulge myself a little and review some of the best horror, thriller, and suspense films in the book. Some of them I’m super thrilled about writing reviews of, and some are certainly popular but not necessarily my favorites. Read on to find out which is which. Enjoy!

Night of the Living Dead (1968)

A classic, certainly without which we wouldn’t have such staples as The Walking Dead, Dawn of the Dead and it’s remake, or the fantastic Shaun of the Dead, as well as a whole host of other films that have borrowed from it. The paranoia, mounting tension, and overwhelming odds of this first Zombie movie, transferred smoothly into non horror themes, such as isolation, race-relations, and fear of the Nuclear age in which we live.

L’uccello Dalle Piume Di Cristallo AKA The Bird With the Crystal Plumage (1970)

In this early film, Dario Argento, arguably the biggest name in italian horror, creates a film that is more Hitchcock than it is a slasher movie. The tension and carnage that ensues is more about pacing and misdirection than it is vicious thrills, and gore. That being said, it does have its share of gore. Oh, those italians, never short of gore. While good, I actually liked his later, more iconic film, Suspiria better than this one.

Deliverance (1972)

A horror movie of a different variety, rather than use a monster or a psychopathic antagonist, this film explores the terrible behavior exhibited by humans onto one another. The group of hunters looking to spend some time together having fun, get to know way more about each other than they ever wanted to know. Normally I wouldn’t give away any spoilers, but I think most people know exactly what the “twist” to this movie is. Men raping men has never been so much fun.

The Texas Chainsaw Massacre (1974)

Quiet, slow, and nearly bloodless apparently equals really effective and terrifying. Who knew! Despite the fact that I credit The Exorcist with being better all around (scares, craftsmanship, and acting), The Texas Chainsaw Massacre is pretty fantastic in its own right. By all means you should see the original version and relish in the grainy washed out film stock, the real locations that haven’t been over dressed or grimed up to such a degree as to make looking at them unsanitary, and the overall impact of a movie that can utilize calm as well as it does chaos. One hell of a good movie!

The Hills Have Eyes (1977)

This film predates the slasher sub-genre of horror movies by close to 5 years, however it definitely shares and in some cases has inspired certain sadistic qualities in them. The movie gives us a family full of socially dysfunctional, nomadic killers as the source of our fear, an anxiety, and a nice everyday innocent family to compare ourselves to. More camp than scare. More sadism than not.

Suspiria (1977)

This film is far more surreal, and otherworldly than The Bird with the Crystal Plumage, the other Dario Argento film that I’ve seen. It is by far, more psychological and subtle in how it works under your skin, but also has a far less believable (read: ridiculous) set of traps and horrors for our heroine to escape. A room in a dance academy that is inexplicably filled with coils upon coils of barbed wire, is decidedly unbelievable, and therefore draws us out of the “story”. That being said, I still liked it better than The Bird with the Crystal Plumage, for its use of rich full color, and it’s dedication to that certain uneasy feeling.

Dawn of the Dead (1978)

Holy Shit! If you have managed to make it through your life to this point without seeing this movie, do yourself a favor, go buy (not rent) it and watch the shit out of it! For a movie that is so closely associated with the horror genre, Dawn of the Dead manages to be so relevent and forward facing on such a large variety of subjects. From race relations, religion, and consumer culture, to the nature of willful violence, and interaction between the sexes, not to mention some pretty outstanding makeup effects. This film has so much to offer first time and repeat viewers alike. Granted some of the makeup looks a bit bad by today’s standard, and some of the euphemisms seem a bit dated and clunky, but by and large this film has all the energy and fire of the films of the seventies, plus a pretty compelling horror story to boot. Make sure to buy the version that comes with the theatrical and directors cuts, so you can compare and contrast the values of each. (Hint: The Director’s Cut is better.)

Halloween (1978)

In terms of craftsmanship and construction Halloween is a master-class in editing and pacing. Featuring very little in the way of jump-scare type tactics, this film instead, skillfully builds the tension slowly through the use of shot composition, and editing, along with skillful acting and directing. Of course, John Carpenter is no stranger to the praise due to him from the horror fan community, including myself. I’ve enjoyed almost every single one of his films, and I only say “almost” because I can’t remember if there has been anything that I haven’t liked. Watch this!

Alien (1979)

In terms of futuristic visuals and slow building tension, Ridley Scott seemed to have cornered the market in the late 70’s and early 80’s. With films like Blade Runner and Aliens he helped to bring a living, breathing, realism to the science fiction genre that had before been absent. Where Star Wars was shiny and optimistic, Alien was concerned with the accurate depiction of its characters in a true to life setting. With Alien, he also managed to bring horror to a new level. For proof, just go watch the still terrifying trailer for the original Alien.

“The baby alien is soooooo cute! And there’s a cat!  And a butt crack!” – Ashley

The Shining (1980)

With the Shining, Stanley Kubrick made one of the finest films ever committed to celluloid (or digital mediums, I’m not playing favorites). The power and the impact of the imagery sticks with you long after the film is finished (they’ve been with me since I saw it way back when I was young.), and while the dialogue and delivery seems stilted at first, it all serves a grander purpose of creating a slightly skewed feeling in the viewer. The disharmony and discord starts to build at an imperceptible level, but once it rears its head, it is obvious that it has been around for a long while. Absolutely one of my favorite movies, and well deserving of being on this list!

“You know it’s a good horror movie if Shelley Duvall is in the film and still not the scariest part.” – Ashley

An American Werewolf in London (1981)

A classic in my circle of friends, this is actually a movie that I came to finally see rather late (only 4 years ago or so), and I’m really glad I did.  Part slapstick comedy, part horror movie, American Werewolf in London manages to balance the two genres giving a room for the comedy to live, without ruining the scary elements.  Then there is the astounding fully lit, werewolf transformation scene, something that was nearly impossible in the days before CGI.  Definitely worthy of its spot on this list.

“Suck it CGI!” – Ashley

Check out guest reviewer Mike Petrik’s review, here!

The Thing (1982)

Kurt Russell and John Carpenter have, together, made a pair of my most favorite films ever, Big Trouble in Little China, and this movie, The Thing. Along with being a completely absorbing well paced thriller in its own right, it also happens to have some really outstanding special makeup effects, and puppetry. Add in to the mix a young Wilford Brimley, Keith David in all his glory, and who could forget the heartbeat of a score that relentlessly pushes us onward, towards the end of the film. Outstanding all around!

(***Warning Spoilers***)

“One point for the great special effects makeup…one point for the sexy Kurt Russell beard…negative one million points for the hurting beautiful puppies” – Ashley

Poltergeist (1982)

As far as this list goes, the Poltergeist has perhaps left the smallest impact on me. All I really remember is the tiny woman with the child’s voice. She actually played good character in the film, yet still she stands out as a defining characteristic of this horror film far more than the big gauzy skeleton, the skeletons in the basement, or heaven forbid the terrifying child-sized doll that those shitty parents put in their kids room.

“Thanks to “Buffy the Vampire Slayer”, I know that Poltergeists are not ghosts.” – Ashley

The Evil Dead (1982)

Despite the fact that this film revolutionized the way that horror films were shot, produced, watched, edited, and scored, The Evil Dead was, in my opinion not nearly as good as its slapstick sequels, The Evil Dead Part 2, and Army of Darkness. Definitely worth watching, but make sure you watch the other two, so you can see director Sam Raimi reboot his own film, and make it worlds better.  Give me some sugar, baby!

A Nightmare on Elm Street (1984)

This was the movie…the movie that scared the bejesus out of me as a kid far more than any other movie has ever done, before or since. Looking back at it now, it doesn’t make sense why this film had such a profound effect on me, but none the less, it did. The most terrifying image in the film (in my younger-selfs opinion), comes in the first 10 minutes, and the real terror of the first watch was the anticipation of whether it would be topped in the remaining 80 or so minutes. Not to mention, the film had a rather ingenious premise of allowing the victims to be vulnerable in their dreams, a place that no one can escape. Worth the watch, but I’ve heard you should avoid the remake.

Manhunter (1986)

The best of the Hannibal Lecter movie adaptations, this one combines the visual sensibility of Michael Mann, the menace and animalism of Tom Noonan, and the depth and intelligence of Brian Cox as Lecter into a luscious, dangerous, thrilling movie. Despite it’s inclusion on this list, I feel that the more popular Hannibal Lecter story, The Silence of the Lambs, is far inferior to this film, though there are many who would disagree vehemently. One thing that everyone can agree on, however, is that the remake of Manhunter, Red Dragon, is completely a piece of shit by comparison.  Brett Ratner my ass!

The Fly (1986)

Your standard story about a man who invents teleportation devices only to have it backfire on him when a simple little house fly gets caught in the machine with him. This film creeped me out quite a bit when I was a kid, particularly the arm wrestling scene. The Fly is a great horror movie, worthy of inclusion on this list!

Aliens (1986)

Quite possibly my favorite of the movies on this Halloween list. I grew up with this movie, so as a result, I am in capable of judging it in any way other than favorably. A great continuation of the story that began in Alien, one that manages to go far beyond it in terms of action, character development, and stakes. Where the original was effective through the isolation of its characters, Aliens succeeds by forcing them to band together to combat the threats from without as well as within.  This is when James Cameron was at his peak in my opinion (well, that or during the Terminator movies), not during the bloated gimmicky Avatar days.  Robot versus space-bug!  That really says it all.

Spoorloos AKA The Vanishing (1988)

If you’ve seen the remake of this film starring Jeff Bridges and Keifer Sutherland, then do yourself a favor, drink a bunch of turpentine till you forget that one, and when you’re back from getting your stomach pumped at the hospital, watch this creepy-as-hell movie. Using simple tactics to inspire fear, Spoorloos is surprisingly contemplative, and deceptively calm for a list such as this. Don’t let that fool you though, it’s terrifying all the same.

Jacob’s Ladder (1990)

Creepy. Creepy. Creepy. CREEPY. This mind-bending film tests the limits of the audiences perception, making us debate up until the very end whether or not we think our main character is, in fact, crazy, delusional, or correct that there are strange beings out to get him. The fantastic Danny Aiello electrifies every scene he is in, and make sure to watch out for a small appearance by Ving Rhames, too!.

The Silence of the Lambs (1991)

Way, way over-rated. While this movie isn’t bad, the fact that it took home best picture, best actor, best actress, and best director honors at the Oscars is a little absurd if you ask me. Hopkins was good as Lector, but not nearly as menacing as Brian Cox was in the role just a scant 5 years earlier. Foster was good as well, but has been much better in better things as well. Jonathan Demme, is the exception. Though I don’t think he necessarily deserved the Oscar for his work here, this actually is the best thing he has ever done. In fact, he did such a bad job on The Truth About Charlie, a terrible remake of one of my favorite movies of all time, Charade, that he ought to have any awards and accolades stripped from him.  He actually owes me an Oscar.  Watch Manhunter instead.

Scream (1996)

I saw this movie at just the right time for me to see this movie. I saw it with a bunch of really good friends, and had a really good time doing it. The movie as it turns out was pretty good too, turning the usual conventions of the horror movie on its ear to great effect. This movie also benefited from an up and coming cast, a good soundtrack, and a rejuvenated director, Wes Craven, ready to attack the genre that he helped create in the first place.

Tetsuo (1998)

It’s strange that this is the only Japanese horror movie that is included in the list of 1001 movies, that I’ve seen, especially considering the fact that Japan seems to specialize in decidedly creepy horror movies. Tetsuo is really more of a bizarre, sci-fi-sex-fantasy with a fair amount of blood in it. Basically a man turns slowly and painfully into a machine, a process which grants him great strength and power, but also makes him a terrible monster at the same time. If you’d like to know if you will like it, base whether you see it on this spoiler-ish phrase…”Drill penis”. And there you have it.

The Blair Witch Project (1999)

I’m a fan of its concept, I’m a fan of the mark such a low-budget movie was able to make, but I was not a fan of the fact that it spawned a lot of cheap imitators, nor was I a fan of the movie itself. There was so much hype surrounding this movie, that it couldn’t help but fail in the eyes of a film student / horror film fan like me. You will never hear anyone say this again, ever, but I liked The Blair Witch Project 2: Book of Shadows way better.

“Ughkk…God!” – Ashley

Mulholland Dr. (2001)

My lovely wife would disagree of my assessment of this film. I thought it was an un-paralleled work of craftsmanship and genius, with a creepy/dreamy surrealistic concept that translated well to the glimmering, shining facade of Hollywood. She thought it was crap. In my humble opinion David Lynch redeemed himself after the terrible, and terribly confusing Lost Highway, to make a work that stands alongside his very best (Blue Velvet, Wild At Heart, Twin Peaks, and Twin Peaks: Fire Walk With Me). Of course he went right back to making terrible crap with Inland Empire, but there is no need to dwell on that here. Go see Mulholland Dr., one of the scariest movies that isn’t supposed to be scary , you’ll ever see!

“I know experimental narrative.  I like experimental narrative.  I went to film school to make experimental narrative.  You sir, are not an experimental narrative.” – Ashley

And there you have it.  Just a few of the horror selections on the list.  I don’t necessarily agree that these should all be held up and called the best of the best, but conversely, some of them are absolutely worthy of such distinction.  Good or bad, however, each has its importance in terms of the history and art of film.  Happy Halloween!

…there’s more…

So it’s time again for a batch of the movies that I HAVE seen.  We are starting to get more into the time frames from which I’m more familiar with, although there are still a ton of movies from this roughly ten year span that I haven’t seen.  Either way I have some work ahead of me, so without further ado…

The Stranger (1946)

This was one my more recent Orson Welles views.  As one of his less talked about films, I didn’t know whether it was something that I should expect to really enjoy like The Third Man, or Mr. Arkadin, or if it was more of a “I was young and needed money” type of movie.  I was pleasantly suprised to find that it was the former rather than the latter.  Welles plays a former member of the Nazi party hiding out in plain sight in small town America.  He is being pursued by the ever vigilant Edward G. Robinson, who isn’t quite sure whether this is the man he is hunting, or if he is simply a small town school teacher.  The Stranger is a fantastically underrated film, Welles as a director, and both Welles and Robinson as actors are top of their game!

“The Stranger asks the age old question: What’s worse,  accidentally marrying a Nazi, or purposely grooming your eyebrows to look like semi-circles?” – Ashley

La Belle Et La Bete AKA Beauty and the Beast (1946)

Of the two versions of this film and one version in Television format (that I’ve seen anyway), I much prefer this black and white, french one from the mid 40s.  The magical whimsy that Cocteau naturally imbues this film with, through the special effects costumes, and the poetic nature of the story, far surpasses the Disneyfied and televised versions.  Jean Marais seems natural, alien, and feral all at the same time, as the beast.

The Big Sleep (1946)

Fantastic for so many reasons, not the least of which that this story serves as the inspiration for as well as the loose structure of The Big Lebowski, one of my favorite movies of all time.  Bogart and Bacall are never better together than they were in this, each at the top of their games, and each with their roles fitting like gloves.

“Wait…now who’s that guy again?” – Ashley

The Killers (1946)

I have to admit, I like the second version of The Killers, directed by Don Siegel of Dirty Harry fame, better than this 1946 version by Robert Siodmak.  Despite liking source material, Siodmak, the actors Burt Lancaster and Ava Gardner, there is just something about seeing Ronald Reagan and John Cassavettes playing opposite each other (Reagan in the villan role) that captured my attention and cheered me up.

“Ava Gardner, you so pretty!” – Ashley

Great Expectations (1946)

The rare, short David Lean film, Great Expectations was suprisingly to me, not as daunting as it could have been.  Great performances by Alec Guinness as Herbert Pocket, and Martita Hunt as Miss Havisham.

Notorious (1946)

I like this movie, although I do not necessarily love it as I feel I’m supposed to.  Cary Grant and Ingrid Bergman are great actors, but I feel that too much is made of this film.  Worth the watch, but ultimately films like Casablanca, Charade, and Rear Window are much much better.

“B.I.G!” – Ashley

Out of the Past (1947)

This is a fantastic film noir starring Robert Mitchum and Kirk Douglas, about the owner of a small town gas station, whose mysterious past catches up with him when a big time criminal boss lures him into a world of crime.  Awesome cast!  Kirk Douglas makes a great villain.

Ladri Di Biciclette AKA The Bicycle Thief (1948)

It has been such a long time since I’ve seen this movie, and since that time I’ve seen so much more in the way of foreign and art films.  And while I thought some of those films were strictly better, The Bicycle Theif still remains a benchmark against which I weigh other movies.  This film more than any other introduced me to and maintained my interest in Italian Neo Realist film.  From here I moved through the years to Fellini, Pontecorvo, Germi, Bertolucci, Pasolini, and of course Antonioni.  Still, The Bicycle Theif remains in my head, as clear as when I first saw it.

“Italian Neo-Realism…boooooring!” – Ashley

Rope (1948)

Not one of his best films, but certainly, Rope stands as an interesting experiment.  Comprised of 5 or 6 different long camera takes, Rope is effectively a filmed stage play.  The transitions inbetween scenes are fairly clever as they are meant to be invisible, making it seem as if it were filmed entirely in one take.  The action, suspense, and plot twists depend entirely upon the acting, as the camera cannot do any elaborate or special movements.  The plot centers around some young men who, as an experiment to see if they can get away with it, have murdered their fellow classmate.  As a means of proving how perfectly constructed this crime is, they host a dinner party while the body of the victim is still in the room.  It is up to Jimmy Stewart, a guest at the party, to reconstruct how it happened and expose the two murderers.

The Lady from Shanghai (1948)

Orson Welles.  Murder.  A beguiling lady.  With those ingredients you have  the recipe for an awesome movie.  To tell you facts about the plot, would almost give away too much.  Needless to say, check it out, it’s awesome.

The Red Shoes (1948)

This tragic fairytale utilizes saturated comicbook-esque color to highlight the passions in the life of the young ballerina, Victoria Page.  The color red, specifically, stands out as a sort of totem color standing for passion, drive, and even obsession.  While beautiful to look at, the story is not as engaging as some others of this era, the film’s main plot is mostly love story and for a self professed action buff, I felt it was lacking something.

The Treasure of the Sierra Madre (1948)

All you need to know about this movie:  AWESOME FUCKING MOVIE!  SEE THE SHIT OUT OF IT!!!!

Kind Hearts and Coronets (1949)

Alec Guinness is a master of disguise in this dark comedy about inheritance, and family relations.  It is a good film, a real good film actually, but I didn’t think it needed any further hype than that.  It certainly gave was the grandfather to a lot of grade B or lower films that have come out of Hollywood, Eddie Murphy pretty much has copied the premise of Kind Hearts and Coronets in all of his more recent flicks from the Nutty Professor to the present (and by this I don’t mean the failed humor, I mean the fact that Alec Guinness plays so many different characters.)

The Third Man (1949)

An absolute classic!  Orson Welles plays Harry Lime to the nines, pairling each of his moments onscreen with his dialogue, utilizing each to the fullest.  Joseph Cotten plays Lime’s jilted best friend, hunting for the elusive truth about his pal.  He is torn between his attraction to Lime’s girl, and the loyalty he feels toward his friend.  Pitch perfect in every way, right down to the bombed out rubble of the post-war Vienna setting (The film was actually in and around post-war Vienna).

Orphee AKA Orpheus (1949)

Just like “La Belle et la Bete”, another film by Jean Cocteau, Orpheus is a beautiful piece of lyrical, visual poetry.  It is filled with similar themes of death, life, love, mirror images, and redemption.  Highly visual, and despite being fairly sussinct for all of it’s ambition, it accomplishes it’s goal.

The Asphalt Jungle (1950)

A film noir through and through, from the “one last heist” type plot down through the starkly bleak urban setting.

Rashomon (1950)

The film that introduced the rest of the world to Akira Kurosawa, and Toshiro Mifune (Through the Venice film festival).  That alone warrants it’s inclusion on this or any other list of influential films, but Rashomon has so much else going for it.  It is the story of an assault, and murder, told after the fact from each of the points of view of the parties involved, the witness, the bandit, the wife, and even the victim.  Completely blew me away when I first saw it!

“If you don’t like this movie, I’ll punch you in the face.” – Ashley

Sunset Boulevard (1950)

Quite possibly the best film noir movie out there.  An ingenious story toying utilizing elements of Hollywood’s past (Gloria Swanson, Erich von Stroheim, Buster Keaton, and Cecil B. DeMille, all play integral parts in the story, some, like DeMille and Keaton, play themselves), and it’s future combining them together artfully and cohesively.  Billy Wilder’s fascination with cynicism finds a comfortable home in this tale of stars who are not ready to be forgotten.

“Don’t move to Hollywood.” – Ashley

Strangers on a Train (1951)

Hitchcock’s story about a chance meeting on a train that ends in murder.  One of his more atmospheric films, Strangers on a Train is a potboiler right down until the end, despite the stakes being revealed from the onset.

“Murder-swap!” – Ashley

The Lavender Hill Mob (1951)

Yet another Alec Guinness film that serves to highlight his subtle yet potent presence.  Here, as a seemingly mild mannered bank clerk, he masterminds a heist to smuggle a shipment of gold out of the country.  Filled with spot-on comedic moments and timing, this movie along with the original version of the Ladykillers is tied as my favorite Alec Guinness film (not including the original Star Wars Trilogy).

The Day the Earth Stood Still (1951)

A hallmark of science fiction, The Day the Earth Stood Still, seems a little dated and the premise is a little thin.  I enjoyed watching it, but I have to say for a genre of movies that depends highly on the visuals and special effects, it didn’t have the affect on me that it would have if I’d grown up with it.  That being said, it is still a fun story, and is certainly responsible for inspiring a huge number of films and directors that are inspiring me today.  Klaatu…barada…nikto.

Ikiru AKA To Live (1952)

This film asks the question, “Can one person make a difference?”, and answers with a resounding yes!  After years upon years as his bureaucratic, mundane job accomplishing nothing, Kanji Watanabe learns he has cancer and strives to do something worthwhile with the rest of his life.  Something that will make a difference to someone.  This is one of Kurosawa’s best films, illustrating the perils and dilemmas of the everyday person and demonstrating each person’s responsibility for their legacy.  Warm, humanistic, and bold, this film should be required viewing for everyone.

Le Salaire De La Peur AKA Wages of Fear (1953)

An excellent adventure film, the Wages of Fear strives to break out and be more than the definition of it’s genre.  The good news is that it succeeds.  Utilizing tension and pacing, Henri George Clouzot, keeps the audience on the edge of their seats as our (anti)heros accend the trecherous mountain pass in trucks carrying nitroglycerine, in order to stop a fire at an oilwell.  The people sent on this mission are completely disposible, each doing it for the high pay that comes with the completion of this dangerous job.  Re-made as Wizards, a film by William Friedkin, and starring Roy Schieder, The Wages of Fear stands out as one of the best action movies that I’ve ever seen.

On the Waterfront (1954)

Mired in controversy due to Director, Elia Kazan’s anti-communist and anti-union sentiments, (Kazan named names during the blacklisting period of the fifties in Hollywood) the good qualities of the film can sometimes be overshadowed.   Marlon Brando, and Rod Stiger turn in Oscar worthy performances, deserving recognition outside of this argument.  The film itself still stands as an alegory to the cancerous nature of communism and the power of the individual worker against the greedy union and mob influences.  Not as powerful a film as it is often hyped up to be, but certainly important to the history of Hollywood, and definitely worth a watch.

“Method = No enunciation. ” – Ashley

Rear Window (1954)

One of the best films ever made, and certainly Hitchcock’s best film, Rear Window does so much with so little.  It serves as a meditation on the voyeuristic nature of movies, and in society, all the while telling a cracking good yarn.  Hitchcock combines visual and storytelling elements of Jacques Tati, Orson Welles, and Billy Wilder, while adding in his own gift for mystery and suspense.  This is the best of all worlds, a nearly perfect film.  Not to mention it has the beautiful Grace Kelly in it too!

“Your creepy neighbor may save your life.” – Ashley

Well, that’s it for now.  Hopefully you’ve enjoyed another installment of the short but sweet reviews of these films that I’ve already seen.