Who will survive…and what will be left of them?

So it’s my favorite time of the year…Halloween. So why not indulge myself a little and review some of the best horror, thriller, and suspense films in the book. Some of them I’m super thrilled about writing reviews of, and some are certainly popular but not necessarily my favorites. Read on to find out which is which. Enjoy!

Night of the Living Dead (1968)

A classic, certainly without which we wouldn’t have such staples as The Walking Dead, Dawn of the Dead and it’s remake, or the fantastic Shaun of the Dead, as well as a whole host of other films that have borrowed from it. The paranoia, mounting tension, and overwhelming odds of this first Zombie movie, transferred smoothly into non horror themes, such as isolation, race-relations, and fear of the Nuclear age in which we live.

L’uccello Dalle Piume Di Cristallo AKA The Bird With the Crystal Plumage (1970)

In this early film, Dario Argento, arguably the biggest name in italian horror, creates a film that is more Hitchcock than it is a slasher movie. The tension and carnage that ensues is more about pacing and misdirection than it is vicious thrills, and gore. That being said, it does have its share of gore. Oh, those italians, never short of gore. While good, I actually liked his later, more iconic film, Suspiria better than this one.

Deliverance (1972)

A horror movie of a different variety, rather than use a monster or a psychopathic antagonist, this film explores the terrible behavior exhibited by humans onto one another. The group of hunters looking to spend some time together having fun, get to know way more about each other than they ever wanted to know. Normally I wouldn’t give away any spoilers, but I think most people know exactly what the “twist” to this movie is. Men raping men has never been so much fun.

The Texas Chainsaw Massacre (1974)

Quiet, slow, and nearly bloodless apparently equals really effective and terrifying. Who knew! Despite the fact that I credit The Exorcist with being better all around (scares, craftsmanship, and acting), The Texas Chainsaw Massacre is pretty fantastic in its own right. By all means you should see the original version and relish in the grainy washed out film stock, the real locations that haven’t been over dressed or grimed up to such a degree as to make looking at them unsanitary, and the overall impact of a movie that can utilize calm as well as it does chaos. One hell of a good movie!

The Hills Have Eyes (1977)

This film predates the slasher sub-genre of horror movies by close to 5 years, however it definitely shares and in some cases has inspired certain sadistic qualities in them. The movie gives us a family full of socially dysfunctional, nomadic killers as the source of our fear, an anxiety, and a nice everyday innocent family to compare ourselves to. More camp than scare. More sadism than not.

Suspiria (1977)

This film is far more surreal, and otherworldly than The Bird with the Crystal Plumage, the other Dario Argento film that I’ve seen. It is by far, more psychological and subtle in how it works under your skin, but also has a far less believable (read: ridiculous) set of traps and horrors for our heroine to escape. A room in a dance academy that is inexplicably filled with coils upon coils of barbed wire, is decidedly unbelievable, and therefore draws us out of the “story”. That being said, I still liked it better than The Bird with the Crystal Plumage, for its use of rich full color, and it’s dedication to that certain uneasy feeling.

Dawn of the Dead (1978)

Holy Shit! If you have managed to make it through your life to this point without seeing this movie, do yourself a favor, go buy (not rent) it and watch the shit out of it! For a movie that is so closely associated with the horror genre, Dawn of the Dead manages to be so relevent and forward facing on such a large variety of subjects. From race relations, religion, and consumer culture, to the nature of willful violence, and interaction between the sexes, not to mention some pretty outstanding makeup effects. This film has so much to offer first time and repeat viewers alike. Granted some of the makeup looks a bit bad by today’s standard, and some of the euphemisms seem a bit dated and clunky, but by and large this film has all the energy and fire of the films of the seventies, plus a pretty compelling horror story to boot. Make sure to buy the version that comes with the theatrical and directors cuts, so you can compare and contrast the values of each. (Hint: The Director’s Cut is better.)

Halloween (1978)

In terms of craftsmanship and construction Halloween is a master-class in editing and pacing. Featuring very little in the way of jump-scare type tactics, this film instead, skillfully builds the tension slowly through the use of shot composition, and editing, along with skillful acting and directing. Of course, John Carpenter is no stranger to the praise due to him from the horror fan community, including myself. I’ve enjoyed almost every single one of his films, and I only say “almost” because I can’t remember if there has been anything that I haven’t liked. Watch this!

Alien (1979)

In terms of futuristic visuals and slow building tension, Ridley Scott seemed to have cornered the market in the late 70’s and early 80’s. With films like Blade Runner and Aliens he helped to bring a living, breathing, realism to the science fiction genre that had before been absent. Where Star Wars was shiny and optimistic, Alien was concerned with the accurate depiction of its characters in a true to life setting. With Alien, he also managed to bring horror to a new level. For proof, just go watch the still terrifying trailer for the original Alien.

“The baby alien is soooooo cute! And there’s a cat!  And a butt crack!” – Ashley

The Shining (1980)

With the Shining, Stanley Kubrick made one of the finest films ever committed to celluloid (or digital mediums, I’m not playing favorites). The power and the impact of the imagery sticks with you long after the film is finished (they’ve been with me since I saw it way back when I was young.), and while the dialogue and delivery seems stilted at first, it all serves a grander purpose of creating a slightly skewed feeling in the viewer. The disharmony and discord starts to build at an imperceptible level, but once it rears its head, it is obvious that it has been around for a long while. Absolutely one of my favorite movies, and well deserving of being on this list!

“You know it’s a good horror movie if Shelley Duvall is in the film and still not the scariest part.” – Ashley

An American Werewolf in London (1981)

A classic in my circle of friends, this is actually a movie that I came to finally see rather late (only 4 years ago or so), and I’m really glad I did.  Part slapstick comedy, part horror movie, American Werewolf in London manages to balance the two genres giving a room for the comedy to live, without ruining the scary elements.  Then there is the astounding fully lit, werewolf transformation scene, something that was nearly impossible in the days before CGI.  Definitely worthy of its spot on this list.

“Suck it CGI!” – Ashley

Check out guest reviewer Mike Petrik’s review, here!

The Thing (1982)

Kurt Russell and John Carpenter have, together, made a pair of my most favorite films ever, Big Trouble in Little China, and this movie, The Thing. Along with being a completely absorbing well paced thriller in its own right, it also happens to have some really outstanding special makeup effects, and puppetry. Add in to the mix a young Wilford Brimley, Keith David in all his glory, and who could forget the heartbeat of a score that relentlessly pushes us onward, towards the end of the film. Outstanding all around!

(***Warning Spoilers***)

“One point for the great special effects makeup…one point for the sexy Kurt Russell beard…negative one million points for the hurting beautiful puppies” – Ashley

Poltergeist (1982)

As far as this list goes, the Poltergeist has perhaps left the smallest impact on me. All I really remember is the tiny woman with the child’s voice. She actually played good character in the film, yet still she stands out as a defining characteristic of this horror film far more than the big gauzy skeleton, the skeletons in the basement, or heaven forbid the terrifying child-sized doll that those shitty parents put in their kids room.

“Thanks to “Buffy the Vampire Slayer”, I know that Poltergeists are not ghosts.” – Ashley

The Evil Dead (1982)

Despite the fact that this film revolutionized the way that horror films were shot, produced, watched, edited, and scored, The Evil Dead was, in my opinion not nearly as good as its slapstick sequels, The Evil Dead Part 2, and Army of Darkness. Definitely worth watching, but make sure you watch the other two, so you can see director Sam Raimi reboot his own film, and make it worlds better.  Give me some sugar, baby!

A Nightmare on Elm Street (1984)

This was the movie…the movie that scared the bejesus out of me as a kid far more than any other movie has ever done, before or since. Looking back at it now, it doesn’t make sense why this film had such a profound effect on me, but none the less, it did. The most terrifying image in the film (in my younger-selfs opinion), comes in the first 10 minutes, and the real terror of the first watch was the anticipation of whether it would be topped in the remaining 80 or so minutes. Not to mention, the film had a rather ingenious premise of allowing the victims to be vulnerable in their dreams, a place that no one can escape. Worth the watch, but I’ve heard you should avoid the remake.

Manhunter (1986)

The best of the Hannibal Lecter movie adaptations, this one combines the visual sensibility of Michael Mann, the menace and animalism of Tom Noonan, and the depth and intelligence of Brian Cox as Lecter into a luscious, dangerous, thrilling movie. Despite it’s inclusion on this list, I feel that the more popular Hannibal Lecter story, The Silence of the Lambs, is far inferior to this film, though there are many who would disagree vehemently. One thing that everyone can agree on, however, is that the remake of Manhunter, Red Dragon, is completely a piece of shit by comparison.  Brett Ratner my ass!

The Fly (1986)

Your standard story about a man who invents teleportation devices only to have it backfire on him when a simple little house fly gets caught in the machine with him. This film creeped me out quite a bit when I was a kid, particularly the arm wrestling scene. The Fly is a great horror movie, worthy of inclusion on this list!

Aliens (1986)

Quite possibly my favorite of the movies on this Halloween list. I grew up with this movie, so as a result, I am in capable of judging it in any way other than favorably. A great continuation of the story that began in Alien, one that manages to go far beyond it in terms of action, character development, and stakes. Where the original was effective through the isolation of its characters, Aliens succeeds by forcing them to band together to combat the threats from without as well as within.  This is when James Cameron was at his peak in my opinion (well, that or during the Terminator movies), not during the bloated gimmicky Avatar days.  Robot versus space-bug!  That really says it all.

Spoorloos AKA The Vanishing (1988)

If you’ve seen the remake of this film starring Jeff Bridges and Keifer Sutherland, then do yourself a favor, drink a bunch of turpentine till you forget that one, and when you’re back from getting your stomach pumped at the hospital, watch this creepy-as-hell movie. Using simple tactics to inspire fear, Spoorloos is surprisingly contemplative, and deceptively calm for a list such as this. Don’t let that fool you though, it’s terrifying all the same.

Jacob’s Ladder (1990)

Creepy. Creepy. Creepy. CREEPY. This mind-bending film tests the limits of the audiences perception, making us debate up until the very end whether or not we think our main character is, in fact, crazy, delusional, or correct that there are strange beings out to get him. The fantastic Danny Aiello electrifies every scene he is in, and make sure to watch out for a small appearance by Ving Rhames, too!.

The Silence of the Lambs (1991)

Way, way over-rated. While this movie isn’t bad, the fact that it took home best picture, best actor, best actress, and best director honors at the Oscars is a little absurd if you ask me. Hopkins was good as Lector, but not nearly as menacing as Brian Cox was in the role just a scant 5 years earlier. Foster was good as well, but has been much better in better things as well. Jonathan Demme, is the exception. Though I don’t think he necessarily deserved the Oscar for his work here, this actually is the best thing he has ever done. In fact, he did such a bad job on The Truth About Charlie, a terrible remake of one of my favorite movies of all time, Charade, that he ought to have any awards and accolades stripped from him.  He actually owes me an Oscar.  Watch Manhunter instead.

Scream (1996)

I saw this movie at just the right time for me to see this movie. I saw it with a bunch of really good friends, and had a really good time doing it. The movie as it turns out was pretty good too, turning the usual conventions of the horror movie on its ear to great effect. This movie also benefited from an up and coming cast, a good soundtrack, and a rejuvenated director, Wes Craven, ready to attack the genre that he helped create in the first place.

Tetsuo (1998)

It’s strange that this is the only Japanese horror movie that is included in the list of 1001 movies, that I’ve seen, especially considering the fact that Japan seems to specialize in decidedly creepy horror movies. Tetsuo is really more of a bizarre, sci-fi-sex-fantasy with a fair amount of blood in it. Basically a man turns slowly and painfully into a machine, a process which grants him great strength and power, but also makes him a terrible monster at the same time. If you’d like to know if you will like it, base whether you see it on this spoiler-ish phrase…”Drill penis”. And there you have it.

The Blair Witch Project (1999)

I’m a fan of its concept, I’m a fan of the mark such a low-budget movie was able to make, but I was not a fan of the fact that it spawned a lot of cheap imitators, nor was I a fan of the movie itself. There was so much hype surrounding this movie, that it couldn’t help but fail in the eyes of a film student / horror film fan like me. You will never hear anyone say this again, ever, but I liked The Blair Witch Project 2: Book of Shadows way better.

“Ughkk…God!” – Ashley

Mulholland Dr. (2001)

My lovely wife would disagree of my assessment of this film. I thought it was an un-paralleled work of craftsmanship and genius, with a creepy/dreamy surrealistic concept that translated well to the glimmering, shining facade of Hollywood. She thought it was crap. In my humble opinion David Lynch redeemed himself after the terrible, and terribly confusing Lost Highway, to make a work that stands alongside his very best (Blue Velvet, Wild At Heart, Twin Peaks, and Twin Peaks: Fire Walk With Me). Of course he went right back to making terrible crap with Inland Empire, but there is no need to dwell on that here. Go see Mulholland Dr., one of the scariest movies that isn’t supposed to be scary , you’ll ever see!

“I know experimental narrative.  I like experimental narrative.  I went to film school to make experimental narrative.  You sir, are not an experimental narrative.” – Ashley

And there you have it.  Just a few of the horror selections on the list.  I don’t necessarily agree that these should all be held up and called the best of the best, but conversely, some of them are absolutely worthy of such distinction.  Good or bad, however, each has its importance in terms of the history and art of film.  Happy Halloween!

The Hustler (1961)

The Hustler – 1961

Director – Robert Rossen

Starring – Paul Newman, Jackie Gleason, Piper Laurie, and George C. Scott

Heading into this movie, I realize now, I had a lot of pre-conceptions.  Not so much about the quality of the film, whether it would be good or bad, but more about the content of the film.  Thanks to countless posters in the various seedy billiards rooms that I frequent, I just assumed that there would be more pool than there was.  Also, I apparently wrongly assumed just who the hustler mentioned in the title of the film was.

For those, like me apparently, who aren’t too familiar with the story, The Hustler follows the driven ambition of “Fast” Eddie Felson.  Felson, played famously by Paul Newman is a small time hustler looking to beat the best in the billiards game, Minnesota Fats (Jackie Gleason), and claim the crown of the best pool player around.  Fats along with his shifty gambling buddy played by George C. Scott, seeing Felson’s reckless ambition for what it is, work to exploit, and take advantage of him.

Along the way, Fast Eddie meets Sarah Packard (Piper Laurie), a woman so defeated by life, that she takes his interest as a sort of cruel taunt.  In reality, he feels as though he can fully be himself around her, without apology for his shortcomings.  The attention re-awakens her hope for a normal life.  Life for the couple starts to feel more and more normal, until that is, the real hustler, George C. Scott’s Bert, convinces Fast Eddie to go out on the road, running hustles and making money for him.  This drives a wedge in their relationship and threatens to ruin everything they’ve built.

As far as the movies that feature the character Fast Eddie Felson, I prefer Martin Scorsese’s take with The Color of Money, although the Hustler is certainly a good, if not great movie.  It may be due to my mood going into watching it, but I was really hoping for more action than drama, more suspense than revelation.

I wanted the cocky Felson to be a bit tougher, a little less pathetic throughout the film.  He is far more of a victim than he is a hustler.  It is certainly viable to create a story that ends unhappily, this film just made me sad.  For a guy who is clearly looking for acceptance, he sure gives away the acceptance he gets from Sarah without a thought about her or even himself.  The only thing that seems to matter to him is being the best in the eyes of those who are laughing at him and using him for their own gain.  As a result I was left more than a little wanting, and felt rather downcast after finishing it.  Despite their best efforts to craft a noir-ish character and setting, the movie seemed to be missing something.  Even the cinematography and music seemed somewhat forgettable to me.

I don’t mean to treat this movie harshly, clearly it had an impact on me, just not the one I was looking for going into it.  The image I have of the character is what I was left with from The Color of Money, a man who despite defeat, doesn’t give up.  Despite, humiliation, has a certain self-awareness, and despite conventional relationships, has carved out a little place for himself in the world.

Truth be told, I’ve had a certain blossoming of respect for this film just in writing down my feelings about it, although I think it says more for Martin Scorsese re-visit of the characters than it does for anything else.

I would say that despite the fact that I liked it, I definitely didn’t like it enough to include it on the list of 1001 movies.  There was an element missing either in the movie or what I wanted from it i’m not sure, but it’s missing just the same.  Either way, it doesn’t matter, it didn’t quite work for me.

“They play pool and stuff” – Ashley

Top Gun (1986)

Top Gun – 1986

Director – Tony Scott

Starring – Tom Cruise, Kelly McGillis, and Val Kilmer

Though there has been action in movies since the beginning of the art form, the action movie genre really blossomed and came into its own in the mid to late 1980’s.  By the early 90’s the genre had been raised to an art form.  Films like Die Hard, Total Recall, and Robocop, dominated the box office, and raised an entire generation of young movie goers (myself included).  These films brimmed with coarse language, fantastic plotlines and an electric energy that their predecessors of the action genre couldn’t match, and as a result became the gold standard for masculinity.  It may not have invented the genre, and it certainly isn’t the best film in it, but Top Gun is a pioneer certainly deserving of the crown that it’s earned.

The plot is simple enough, so simple in-fact, it’s barely referenced or paid attention to (even the characters in the movie).  Tom Cruise plays Maverick, a hot-shot fighter pilot, incorrigible Lothario, and unrepentant rebel, who paired with his trusty sidekick, Goose (played by Revenge of the Nerd’s Anthony Edwards) are shipped off to the best flight school in the country, Top Gun.  Once there, Maverick and Goose laugh in the face of danger, routinely go against authority, play shirtless volleyball with fellow pilots, and learn hard lessons about the consequences of being a fighter pilot.  Maverick meets and falls for the responsible, yet sexy instructor, Charlie, played by Kelly McGillis, and butts heads with the equally talented Iceman, played by Val Kilmer.

Got it?  Doesn’t matter.  From this point on, just sit back and watch planes flying fast, steamy love being made, rules being broken, and the occasional explosion.  The stakes of the story don’t matter at all, the characters and the plot exist solely to dazzle the eyes and keep your butt in the seat.  Now, I know what you’re thinking.  You think I am poo-pooing, Top Gun for this reason. Wrong!  This is one of the main reasons that I enjoyed it as much as I did.  If there was a chance that Tom Cruise might fail, or if the Kenny Loggins song Danger Zone weren’t being drilled into my head, I very well may have lost interest and turned it off.  The fact is, it was exactly this brazen assault on my memories of  childhood that made Top Gun so attractive and fun.

Nurtured into life by the Uber-producing duo Don Simpson and Jerry Bruckheimer, and directed to perfection by the one and only Tony Scott, this film set the bar for action movies for the next 10 years.  Aside from asserting the testosterone filled masculinity that defined the action movies of this era, Top Gun paved the way for countless immitators, one-offs, and made the career of Tony Scott who would go on to direct other such classics as Crimson Tide, True Romance, and my personal favorite of his films, The Last Boyscout!  If there was any doubt at all, this film washed away those deniers of Tom Cruise’s stranglehold on hollywood, a grip that would only relax much later when he came off as crazy for jumping on the couch at the Oprah Winfrey Show.

Having only recently seen Top Gun, I was surprised how different it was from its parody, Hot Shots.  I have to admit, even after the character of Charlie (McGillis) was introduced I kept waiting for someone closer to the character of Ramada Thompson (Valaria Golino) to be introduced and get Maverick’s attention.  Also, Tom Skerritt is no Lloyd Bridges, not that anyone is of course.

The long and short of it is this…Top Gun is not going to win any prizes for dedication to craft, but it will most likely distract you for 2 hours, and leave you with a pleasantly warm feeling afterwards.

If you liked Top Gun, check out these classics of the genre…

The Crow, Total Recall, The Last Boyscout, Hard to Kill, Hard Target, The Fugitive, Casino Royale, Big Trouble in Little China, The Rock, or Tango and Cash.  All of these films are absolute gold*!

* Disclaimer…Your definition of “gold” may differ drastically from mine.  Watch at your own risk!

“Mmmm….Iceman.” – Ashley